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He stays confined for the most part to the social-dance vocabulary and generates dramatic interest by either upping its athletic quotient or having the performers imbue their dancing with inflated emotional intensity. Although the performers are stunning to look at and exhibit uniformly superb technique, the dancing in the first segment remains only superficially engaging because Gilkison’s choreography lacks variety and ingenuity. When the dancers display individual feats of technical virtuosity, the audience responds like ballpark fans to a home run.
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What comes before, a series of hard-hitting presentations of the different dance styles, is performed with such aggressive athleticism and competitive energy that it feels like a sporting event. Of the revue’s four segments - “Inspirations,” “Things That Swing,” “The Latin Quarter” and “Contemporary” - the second, a sequence of swing dances, is by far the most theatrically successful. There are beautiful standard waltzes, dreamy Viennese waltzing (by the transporting husband-and-wife team of Damon and Rebecca Sugden), a fiery tango, passionate paso dobles, some snazzy quickstepping, a minimum of fox trotting and lots of jive, cha-cha, rumba and samba all danced to invigorating live music featuring vocalists Ricky Rojas and Rebecca Tapia. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo.The first show of the new Broadway season, “Burn the Floor” is a dazzling dance revue sporting an international cast of championship Latin and ballroom dancers, including (for the next three weeks only) Maksim Chmerkovskiy and Karina Smirnoff from TV’s “Dancing With the Stars.”ĭirected and choreographed by Jason Gilkison, the pumped-up production charges with supersonic speed through a stylish array of couple and ensemble numbers representing all 10 of the international-style competitive ballroom dances. Video Camera An icon of a video camera shape.
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